Drama Conventions:
.Real life representation
.Emotions and events at their true height
.Easy to relate to
.Form of journey
.Plot twist/complex plot
.Vulnerable situations/characters
.Alcohol, drugs, guns, knives, mobile phones
Comedy:
.Bright places
.Social event locations
.Bright happy colours/lighting-daylight scenes
.Idiotic characters/Normal characters/Above average intelligence characters-socially awkward/ Sarcasm
.Natural camera shots-medium shots
.Props-footballs, golf clubs, things that can hurt you
Monday, 12 October 2015
Thursday, 1 October 2015
Reflective Analysis
Our intentions for our film Possessed was for it to be a thriller. We didn't want to scare the audience we wanted to make them feel tense and uneasy, hence the thriller genre. It is a 1 minute 40 second long film.
The opening shot is a forward tracking shot into the bathroom and then the camera pans from right to left to create an establishing shot. We used the bathroom to create a creepy feel to the scene as the bathroom is deserted except for the girl who is revealed by the camera panning left. We then did an extra close up shot on her face to focus on her eyes being closed, we did this to try and tell the audience that there is something not quite right and to hint that she is possessed. We then slowly zoomed out into a close up shot revealing her whole face to make it appear as though she was looking in the mirror and that she is almost acting as though she is dead by just staring at the mirror with no emotion.
A lot of the camera movements are slow to try and build up the tension and keep people on edge, We then cut to a mid close shot the allow the audience to see more of what is going on behind her and still make her appear to be looking into the mirror. Then there is the diegetic sound of the bathroom stalls banging closed to try and add to the the tension. We originally wanted to have the lights flickering at the same time to create low key lighting however there were not any light switches so we had to go without. We then moved to an over the shoulder shot to reveal her looking into the mirror so that you can see her face in the mirror, we did this so the audience would realise that she actually was looking in the "mirror" when the camera was in front of her face. We did a panning shot from left to right to reveal her face from a side angle, again to show her looking very dead whilst staring into the mirror.
We then did a mid-shot from outside of the bathroom to show the girl walking out of the bathroom, the camera then pans from left to right to follow the girls movements. This was also an establishing shot to reveal that the girl is in college and that there are other students around who are oblivious to the situation. Also no one looked at her which could hint to the audience that she actually is dead. We then did slow forward tracking to add suspense and tension to the scene, we did it so people would perhaps question where she was going. We then pushed the button for the automatic door to make it appear as if the girl had made it open without touching it. The camera then stops tracking her to tell the audience that something is going to happen. We also had the girl look left to hint that she could see something that the audience could not so the camera was actually concealing it from the angle it was at. We ended the clip with the girl being strangled, we cut the scene before it was actually finished to keep the audience tense as they do not know if the girl is dead or alive and what happened next.
We added non-diegetic music over the top of the film, the music has high pitch noises with deep background under tones to create suspense. I think the music went well with the film and the banging of the doors was in sync with the music so it worked quite well.
The opening shot is a forward tracking shot into the bathroom and then the camera pans from right to left to create an establishing shot. We used the bathroom to create a creepy feel to the scene as the bathroom is deserted except for the girl who is revealed by the camera panning left. We then did an extra close up shot on her face to focus on her eyes being closed, we did this to try and tell the audience that there is something not quite right and to hint that she is possessed. We then slowly zoomed out into a close up shot revealing her whole face to make it appear as though she was looking in the mirror and that she is almost acting as though she is dead by just staring at the mirror with no emotion.
A lot of the camera movements are slow to try and build up the tension and keep people on edge, We then cut to a mid close shot the allow the audience to see more of what is going on behind her and still make her appear to be looking into the mirror. Then there is the diegetic sound of the bathroom stalls banging closed to try and add to the the tension. We originally wanted to have the lights flickering at the same time to create low key lighting however there were not any light switches so we had to go without. We then moved to an over the shoulder shot to reveal her looking into the mirror so that you can see her face in the mirror, we did this so the audience would realise that she actually was looking in the "mirror" when the camera was in front of her face. We did a panning shot from left to right to reveal her face from a side angle, again to show her looking very dead whilst staring into the mirror.
We then did a mid-shot from outside of the bathroom to show the girl walking out of the bathroom, the camera then pans from left to right to follow the girls movements. This was also an establishing shot to reveal that the girl is in college and that there are other students around who are oblivious to the situation. Also no one looked at her which could hint to the audience that she actually is dead. We then did slow forward tracking to add suspense and tension to the scene, we did it so people would perhaps question where she was going. We then pushed the button for the automatic door to make it appear as if the girl had made it open without touching it. The camera then stops tracking her to tell the audience that something is going to happen. We also had the girl look left to hint that she could see something that the audience could not so the camera was actually concealing it from the angle it was at. We ended the clip with the girl being strangled, we cut the scene before it was actually finished to keep the audience tense as they do not know if the girl is dead or alive and what happened next.
We added non-diegetic music over the top of the film, the music has high pitch noises with deep background under tones to create suspense. I think the music went well with the film and the banging of the doors was in sync with the music so it worked quite well.
Thursday, 24 September 2015
The Untouchables
The scene I analysed from was 'The
Untouchables'. It was a nine minute long scene.
The scene starts with a long two
shot showing two men walking out of the train station. They are quite close in
the two shot which suggests that the two men know each other as there are not
many other people there. The camera tilts into a low angle showing one of the
men as he walks down the stairs gradually going from a long shot to a close up
shot of the man who walks out of the camera view to the right so the camera
conceals where he is going and what he is doing which makes you think that
perhaps he is not a very important character. The splitting of the two
characters makes you think that the two were not actually together. I think
this is done to try and make you forget about the other man so when the
conflict starts and he re-appears you are surprised to see him.
The camera then pans left and tilts up to
reveal the second man standing on a balcony looking over the train station. The
camera shows point of view shots, showing a birds-eye view of a woman with
luggage and a baby in a pram and cuts to a long shot of the doors and the
clock. I think this is done to create tension because he is looking down
directly above the baby and you feel quite awkward because the woman is clearly
struggling with all of her luggage and the baby so you are put in the awkward
situation of whether to actually help or not. As the baby is shown,
non-diegetic sound begins of a lullaby type music which suggests that the
situation is calm as lullabies are played to try and calm a baby down to get it
to sleep. I think the lullaby is very ironic because in a very tense situation
that is building up to a conflict and there is a baby lullaby is playing
suggesting the situation is calm when it really is not. There is also diegetic
sound of the baby crying and the mother trying to shush the baby which I think
is foreshadowing death because the situation is already quite tense and it
doesn't feel quite right, people cry when mourning a dead person so the baby
crying could symbolise death in the foreseeable future. There is montage of the
setting which continues to show different point of view shots from the man at
the train station, this creates a claustrophobic feel to the scene.
There is a cut from a birds-eye view of
the baby, to a long shot of the train station doors to a close up shot of the
train station clock. This is parallel editing, this makes the scene feel very
claustrophobic and the tension continues to build as you wait to see what is
going to happen. The close up shots of the clock suggest that the man is
supposed to be there and is waiting for something specific to happen at the
hour. The speed of the parallel editing also increases the closer you get to
the hour which suggests that the man is panicking that the woman with the baby
is still there when he would like her to leave. The man pulls out a gun and
there is an extra close up shot on the gun which makes you realise that that
place is where there is going to be conflict so the man is worrying that the
woman is still there where in merely a couple of minutes there is going to be a
brawl. I think there is an extra close up on the gun because they want you to
clearly see the gun and understand that there is going to be a gun brawl and
most likely some deaths in this location. Also to build tension because when
you see the gun you feel tense as you know what is going to happen next and you
know the smallest thing could be the fuse to start the fire.
The close up shots of the man's face shows
his face looking around, then looking in the direction of the door then looking
down at the woman. I think this is done to show his inner conflict on whether
to go down and help the lady with her baby and luggage or to stay where he is,
it hints that he is going to help the lady before he actually does it and it is
confirmed when there is a close up shot on the clock that is about to strike
the hour which shows that he has ran out of time and has to help the woman now
before she is in the conflict zone.
Sunday, 13 September 2015
Horror
Horror
Horror: an intense feeling of fear, shock, or disgust. The
genre label horror is a loose generalisation which is designed to characterise
visual or thematic elements that represent a product in the mind of the consumer
known as conventions. These include the structure, the monster, the thrill and
the relationship of the film to the viewer.
Horror
films have a structure. The basic structure is Order-------Chaos-------Reconstruction. The purpose usually is
to show a society or community dealing with a catastrophic change, which is
usually due to a monster of some sort.
The opening act consists of an ordered society that is unaware of the
looming disruption. Examples of Horror films with a ‘normal’ town are
Halloween, Gremlins, and A Nightmare on Elm Street. Examples of Horror films
with an isolated group are The Thing, Evil Dead, and Alien. Examples of Horror
films with and individual are Carrie, The Exorcist, and Rosemary’s Baby. The
monster threatens stability and is the chaotic element that breaks down the
social order. The monster tends to be the core of the film that makes it a
horror. The reconstruction is when there is a return to a stable form which is
not necessarily good. The process of reconstruction provides the genre’s basic
narrative drive.
Horror is an easily influenced genre and is often merged
with Sci-Fi, Thriller and Fantasy which makes it difficult to categorise it/properly
genrify. A horror film is normally defined by the presence of monster. There are
a lot of different types of monsters and sub-genres but they tend to fall into
one or more of four categories, however each of these is subject to cross-fertilisation
and combination.
There are natural horror films. Nature represents primal
fear and it is chaotic, unpredictable and violent. Human’s insignificance in
the universe is shown by futile attempts at controlling its forces. Ecological
horror films show the effects of the planet on humankind, which tends to be
either as punishment for meddling, the primitive attacking the modern or man as
insignificant to the greater purpose of nature’s cycle. The sub-genre often
crosses with scientific monster. Resolution tends to be achieved by scientific
means, confrontation which re-establishes the main characters link with the
primitive self or by nature just running its course.
There are supernatural horror films where the supernatural
monster is usually a fantastical evil spirit or object of fear that cannot rationally
exist. This monster often attacks both the body and the soul. Many supernatural
creatures are based on religious mythologies and folklore. Associated with
these are prescribed methods of dispatch, although the cinematic form will
often expand, develop or defy them. Supernatural monsters, because of their incapability
to be fully explored & uninterpretable nature, also allow the film maker to
let their imagination run riot, creating terrors outside our waking reality.
There are psychological horror films where the psychotic
killer is based in the real world. The sub-genres thriller and slasher rely on
the evil or madness of a vicious perpetrator to evoke their thrills. Sometimes
they are given an excuse or a reason for their actions; abuse at the hands of
the father, a frightening oedipal complex, or noisy neighbours. Occasionally
there is no obvious motive for a killer’s crimes. Stories can be taken from the
news or claim to be based on true events to provide extra chills. Sometimes the
psychotic killer is crossed with the supernatural creating very memorable
horror icons.
There are also scientific horror films and a popular take of
the genre is the mad scientist, with a brilliant mind yet fanatically driven,
blinkered vision that can lead to all kinds of evil, accidental or intentional.
Frankenstein’s monster is a product of a man’s obsessive determination to
create life from dead flesh, but people often question who is really the
monster, creation or creator? Scientific horror movies often reflect
contemporary fears, such as radiation & the atom bomb or biological
terrorist attack. These films often explore the ethical considerations of using
science for evil as well as good; science is often to blame when things go awry
yet is frequently called upon to save the day.
Induction Tasks
Jurassic World
A films success is measured by gross made in the opening
weekend, the gross from the worldwide opening, and the total gross worldwide.
Jurassic World was a very successful film setting a new record for the
highest-grossing worldwide opening of any film in history, making
$511.8million. It also became number 3 on the global box office total list with
the worldwide gross total being $1.522billion, overtaking The Avengers.
Being made a part of a much loved franchise, many fans of
the Jurassic Park trilogy were expected to go and see the next film in the
Jurassic series so success was already expected for the film. Many people were
already excited about seeing Jurassic World so it was expected to be a hit,
being a part of a much loved franchise, but the Jurassic team gave the film an
extra push by allowing 3D and IMAX showings of the film to encourage even more
people to see it therefore adding to the film’s success. However some people
believe that showing the film in 3D didn’t really add to its success as some
people said that the 3D effects were not brilliant which put other people off
of watching it in 3D.
Another major factor believed to be a part
of the film’s success was main actor Chris Pratt, who *already had two previous
successful leading roles in Guardians of the Galaxy and the Lego Movie. His
part in the film encouraged people to watch Jurassic World who were fans of his
acting roles in the other two previous films. However, other people may suggest
that having only a couple previous leading roles meant that he was not actually
that well known so his part in the leading role was not really a factor in the
films huge success compared to if they had used a more well-known actor for the
leading part.
Media-hype is also considered one of the main factor towards
the film’s success as technology now allows for advertising to be accessed
everywhere, on social media and news and internet adverts which means that more
people are reached to advertise the film to and also if one person writes about
the film it has a domino effect so all of their friends see it on social media
and then their friends can and so on. With a big budget of $150million they had
the money to advertise the film everywhere and arrange interviews to get more
people hyped up about going to see it which they managed to do with their full
media coverage. The media-hype played a major role in the film’s success
compared to the Jurassic Park film where things such as Facebook, Twitter and
YouTube didn’t exist so advertising in the media was to a minimum compared to
now.
Southpaw
My favourite film this summer was Southpaw. Southpaw is
about a famous undefeated boxer named Billy Hope who turns to trainer Tick
Willis to help him get his life back on track after losing his wife in a tragic
accident and his daughter to child protection services.
At the start of the film he has everything. The film begins
with him preparing for a championship fight, the fight started with him not
doing very well but you soon realise that he enjoys the pain and he uses it to
make himself stronger when he wins the final round and yet again becomes
champion. As he is doing an interview about the fight when another rival boxer
who he has yet to fight challenges him and riles Hope up by saying rude
comments about him and his wife. A few days later Hope and his wife go to a
charity convention where Billy Hope gives a speech about his childhood living
in the child protection services system. As they are leaving the come across
the rival boxer again who insults Hope and his wife. Hopes crew and the rival’s
crew begin fighting. Then one of the rival’s crew pulls out a gun and shoots which
hits Hopes wife who then dies.
He finds a small, cheap apartment and gets a job as a
cleaner at a training centre. Eventually Tick Wills, the owner of the gym, agrees
to train Billy Hope again so that he can get back into the routine of fighting.
His ex-manager approaches him and tells him about a fighting deal with the
rival boxer. Billy Hope agrees and he continues to train for the big fight
whilst slowly repairing his relationship with his daughter. In the end he
becomes victorious and wins the fight against his rival and becomes the
champion once more. The film ends with his daughter holding his hand saying
lets go home.
I enjoyed this film because there were lots of fighting
scenes which I particularly enjoy watching. They were also very realistic which
makes it more believable and better to watch. I also enjoyed it because I felt
a connection with the main character Billy Hope. The film is about how he loses
everything and has to fight to get through it to be strong again. There were
many scenes I found quite upsetting, as I could relate to certain things which
made me enjoy the film more.
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